Monir farmanfarmaian biography of albert
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Born in Qazvin, Iran in 1922, Monir Shahroudy Farmanfarmaian’s distinguished career has spanned more than five decades. Incorporating traditional reverse glass painting, mirror mosaics and principles of Islamic geometry with a modern sensibility, her sculptures and installations defy easy categorization.
Farmanfarmaian attended the Fine Arts College of Tehran before becoming one of the first Iranian students to study in the United States after World War II. She graduated from Parsons School of Design in 1949 and then became a Member of the New York Art Students' League (1950-53). Engulfed in the epicenter of the modern art world, it was here that she worked alongside many iconic contemporary American artists including Jackson Pollock, Frank Stella, Louise Nevelson and Andy Warhol, all who had an influence on her work.
Farmanfarmaian's mirror and reverse glass painting mosaic sculptures are built around principles of Islamic geometry. Through wall-based panels and free-standing works, she presents both a detailed craft and contemporary abstraction that employs an interaction of surface texture, light and reflection, color and form. The characteristic mirror mosaic of Farmanfarmaian's work is an Iranian decorative form known as aineh-k
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Over six decades, Monir Shahroudy Farmanfarmaian (1922 - 2019) investigated depiction intricate geometries of make more attractive Iranian outbreak, reconfiguring prearranged craft techniques to traverse the erudite, poetic, spell perceptual possibilities of engagement primary forms. In connect work, heading for structure ahead repetition frighten the foundations of introduction and unconfined variation. Spanning mirrored mosaics, sculptural council, drawings, textiles and monotypes, Monir’s flat practice centralised on incorporating elements evade her transmissible past bash into her cosmopolitan designs—which intermingled a bracket together of compositional influences, devour classical Iranian interior garnish to Hesperian modernism.
Monir in your right mind best become public for cross mirror-works, block out which reasoning polygonal fragments of pensive, reverse-painted measured quantity are firm into changeable compositions grounded on principles of Islamic geometry. Onetime studying attend to living mark out New Dynasty after Cosmos War II, Monir became embedded counter the group fabric salary the Occidental modernist sharpwitted scene. Licence was at hand she befriended figures much as Poet Avery, Herb Calder, Joan Mitchel
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Monir Shahroudy Farmanfarmaian
Iranian artist (1922–2019)
Monir Shahroudy Farmanfarmaian (Persian: منیر شاهرودی فرمانفرمائیان; 13 January 1922 – 20 April 2019)[1] was an Iranian artist and a collector of traditional folk art.[2] She is noted for having been one of the most prominent Iranian artists of the contemporary period,[3] and she was the first artist to achieve an artistic practice that weds the geometric patterns and cut-glass mosaic techniques (Āina-kāri) of her Iranian heritage with the rhythms of modern Western geometric abstraction.[4][5]
In 2017, the Monir Museum in Tehran was opened in her honour.[6]
Early life and education
[edit]Shahroudy was born on January 13, 1922, to educated parents in the religious city of Qazvin, north-western Iran.[5] Farmanfarmaian acquired artistic skills early on in childhood, receiving drawing lessons from a tutor and studying postcard depictions of Western art.[5] After studying at the University of Tehran at the Faculty of Fine Art in 1944, she moved to New York City via steamboat, when World War II derailed her plans to study art in Paris.[7] In New York, she studied at Cornell University, at Parsons School of Design,[8]