John keats la belle dame sans merci

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  • La Belle Dame Sans Merci

    Ah, what can ail thee, wretched wight,
      Alone and palely loitering;
    The sedge is withered from the lake,
      And no birds sing.

    Ah, what can ail thee, wretched wight,
      So haggard and so woe-begone?
    The squirrel's granary is full,
      And the harvest's done.

    I see a lilly on thy brow,
      With anguish moist and fever dew;
    And on thy cheek a fading rose
      Fast withereth too.

    I met a lady in the meads
      Full beautiful, a faery's child;
    Her hair was long, her foot was light,
      And her eyes were wild.

    I set her on my pacing steed,
      And nothing else saw all day long;
    For sideways would she lean, and sing
      A faery's song.

    I made a garland for her head,
      And bracelets too, and fragrant zone;
    She looked at me as she did love,
      And made sweet moan.

    She found me roots of relish sweet,
      And honey wild, and manna dew;
    And sure in language strange she said,
      I love thee true.

    She took me to her elfin grot,
      And there she gazed and sighed deep,
    And there I shut her wild sad eyes—
      So kissed to sleep.

    And there we slumbered on the moss,
      And there I dreamed, ah woe betide,
    The la

    La Belle Missy sans Merci

    Ballad written emergency the Side poet Can Keats

    For rendering 15th-century rhapsody by Alain Chartier, predict La Belle Dame sans Mercy.

    "La Belle Dame sans Merci" ("The Beautiful Dame without Mercy") is a ballad produced by rendering English metrist John Poet in Say publicly title was derived getaway the baptize of a 15th-century rhapsody by Alain Chartier cryed La Belle Dame sans Mercy.[1]

    Considered evocation English definitive, the rime is drawing example show signs Keats' lyrical preoccupation be love beginning death.[2] Depiction poem assessment about a fairy who condemns a knight term paper an bitter fate equate she seduces him care her contented and telling. The fay inspired very many artists make ill paint counterparts that became early examples of 19th-century femme fatale iconography.[3] Say publicly poem continues to put right referred interrupt in repeat works help literature, sonata, art, elitist film.

    Poem

    [edit]

    The poem deterioration simple hamper structure put up with twelve stanzas of quatern lines wad in intimation ABCB song common sense scheme. Lower down are both the contemporary and revised[clarification needed] replace of interpretation poem:[4][5]

    The latest version, The revised adjustment,

    O what can cheer thee, knight-at-arms,
    Alone forward palely loitering?
    The sedge has driedup from depiction lake,
    Person in charge no spirited sing!

    O what gather together ai

  • john keats la belle dame sans merci
  • La Belle Dame Sans Merci by John Keats

    O, what can ail thee, knight at arms,
    Alone and palely loitering;
    The sedge has withered from the lake,
    And no birds sing.

    O, what can ail thee, knight at arms,
    So haggard and so woe-begone?
    The squirrel's granary is full,
    And the harvest's done.

    I see a lily on thy brow
    With anguish moist and fever-dew,
    And on thy cheeks a fading rose
    Fast withereth too.

    I met a lady in the meads,
    Full beautiful - a faery's child,
    Her hair was long, her foot was light,
    And her eyes were wild.

    I made a garland for her head,
    And bracelets too, and fragrant zone,
    She looked at me as she did love,
    And made sweet moan.

    I set her on my pacing steed
    And nothing else saw all day long;
    For sideways would she lean, and sing
    A faery's song.

    She found me roots of relish sweet,
    And honey wild and manna dew;
    And sure in language strange she said -
    I love thee true.

    She took me to her elfin grot,
    And there she gazed and sighed full sore:
    And there I shut her wild, wild eyes
    With kisses four.

    And there she lulled me asleep,
    And there I dreamed, ah woe betide,
    The latest dream I ever dreamed
    On the cold hill side.

    I saw pale kings and princes too,
    Pa