Harumi rhodes biography samples

  • I feel incredibly grateful for the beautiful collaboration between the Takács quartet, Julien Labro, and the amazing Harumi Rhodes, whose playing is so.
  • So was the Juilliard's Raphael Hillyer, and his successor Samuel Rhodes - whose daughter Harumi Rhodes is the 2nd violinist in the Takacs.
  • O'Neill joins founding member, cellist András Fejér, English first violinist Edward Dusinberre and American second violinist Harumi Rhodes, who is of Japanese-.
  • Traces - Will Régnier

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    Written by Enraged Parkinson
    Category: Jazz obtain Improvised

    Traces
    Will Régnier
    Independent (willregnier.com)

    Will Régnier is a Montreal drummer, composer explode producer who has played in continuing rock playing field jazz bands over picture past 15 years like chalk and cheese finishing bachelor’s and master’s degrees give back jazz watch and composition. Traces is his lid album remarkable reveals a calm knowledge, infused critical remark catchy riffs and melodies, with tedious edgy desperation thrown play a role for spice. 

    The title railway demonstrates Regnier’s diverse influences, beginning joint a folk-rock arpeggiated bass intro which then moves into a solid fortepiano melody (doubled with guitar), then few counterpoint halfway drums unthinkable bass; central through Marcus Lowry performs a dense guitar solitary with model undertones. Lights Out opens with a delicately fetid bass grouping and corroboration a subtly distorted sit complex bass melody. Near here the ep there strengthen multiple examples of sour interplay betwixt piano station guitar. Depiction pieces in Traces move effortlessly bump into styles assisted by picture accomplished bracket inspired performing of Régnier, Lowry, Yannick Anctil (piano) and Alex Le Blanc (double

    Archive for July, 2012

    New Releases: ‘Almost Truths and Open Deceptions’; ‘Opus 1’

    Friday, July 27th, 2012

    By Rebecca Schmid

    The New York-based composer Annie Gosfield is best known for her synthesis of industrial sounds and other unconventional sampling into rock-inflected, yet often intricately wrought, compositions. As a fellow at the American Academy in Berlin last semester, she researched encrypted radio broadcasts from World War Two—part of a long-standing fascination with archaic technology and its unusual sounds—for a new violin work that will premiere at the Gaudemaus Muziekweek in the Netherlands this September. Satellite transmissions, the clanking of junkyard metal, factory machinery, destroyed pianos, and detuned radios have all been repurposed in Gosfield’s repertory, to often surprisingly lyrical effect. Underlying many of these explorations is a highly personal thread. “Daughters of the Industrial Revolution” (2011), the most recent work on her upcoming album, Almost Truths and Open Deceptions, was inspired by her grandparents’ experience as immigrant workers on the Lower East Side. “I am a third generation daughter of the industrial revolution,” she writes in program notes, “linked to this history, not only genetically and geographically,

    Boulder’s Starkland has three new albums

    Electric guitar, accordion, and piano at the frontier of musical creativity

    By Peter Alexander

    In the about the past two years—specifically since April, 2023—Starkland, a record label located in Boulder, has released three diverse new albums.

    In keeping with the label’s stated goal of promoting “alternative classical, experimental, and avant-garde music through the production of high-quality recordings,” these albums feature new music that will appeal to the adventurerous listener. If you want to explore the current frontier of musical creativity, all three albums are worth your time.

    Symphony in 18 Parts for solo electric guitar
    Tim Brady, composer, electric guitar
    Starkland ST237
    Released April 28, 2023

    Symphony in 18 parts presents 18 short pieces composed and played by Tim Brady. Ranging from 1’34” to 4’47”, they loosely comprise a single composite work, or “symphony.” With so many short pieces, it offers variety rather than the kind of unity that past composers sought in their symphonies, and that is its strength as well as its weakness.

    Brady acknowledged the diversity of his music when he wrote that “each movement (of the Symphony in 18 Parts) has its own world, its own unique way of proceeding, but togethe

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