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Tag Archives: Carl Hunter
WriteWyattUK&#;s Guide to Finding Inspiration &#; In Spite of These Times, pt. II
Posted onDecember 31, bywritewyattuk
In which WriteWyattUK takes a look back – in quotation form – at the pick of our feature/interviews from , the dreaded year the coronavirus carved a devastating impact on the music and arts scene. Click on the highlighted name … Continue reading →
Posted inBooks Films, TV & Radio, Comedy & Theatre, Music|TaggedAccrington, Action Records, Andy Crofts, Babyshakes, Bad Company, Beabadoobee, BOB, Bradford, Carl Hunter, Chorley Theatre, Cigar Box Blues, Conor Deegan, Dave Hemingway, Dave Hodgson, David Gedge, Don Powell, Everything Everything, Ewan Butler, Folk Devils, Fontaines D.C., Free, Ginnel, Gordon Gibson, Grant Keir, Heavenly Recordings, Hull, Ian Robinson, Jeremy Pritchard, Jon Anderson, Kate Stables, lancashire, Liverpool, Mark Wareing, Neil Jones, Nick Clift, On the Wire, paul weller, Ray Gange, Richard Blackborow, Richard Farnell, Robin Turner, Rude Boy, Saunder Jurriaans, Simon Kirke, Slade, Steve Barker, Stone Foundation, The Beautiful South, The Clash, The Housemartins, The Psychedelic Furs, The Undertones, The Wedding Present, This is the Kit, Tim Butler, Vinyl Exchange, Virginia Heath|
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By Michael Osborn |
Clint Boon of the Inspiral Carpets takes us on a Madchester tour. Video by Sophie van Brugen
Twenty years ago, Europe was witnessing revolution with the collapse of communism and the fall of the Berlin Wall.
Meanwhile, the UK's music scene flourished, with the chart domination of pop producers Stock, Aitken and Waterman, rise of dance music and the headline-grabbing rave culture.
Manchester's thriving scene was spreading its musical and sartorial influence, spearheaded by indie rock acts including the Stone Roses, whose self-titled album was hailed by critics.
The Inspiral Carpets were another key force in , with their distinctive psychedelic organ sound, cow emblem and baggy style.
The band's Clint Boon, now 50, reminisces on home turf about being part of the Madchester scene 20 years ago and why it made such an impact.
I joined the band in and used to work in Ashton Mill where I became a company director and was able to set up a rehearsal space. It was a cornerstone for what came afterwards.
We went from playing clubs in Oldham to cool little bars in Manchester. People picked up on us because we were so unique, a bunch of psychedelic lads from Oldham with our quirky, organ-led music.
The Ma