Arthur winter shaw biography samples
•
Use back arrow above to return to the Table of Contents
Albertine, Susan. ‘Shaw’s interest in Harold Frederic.’ SHAW 6 1986 69-76
Antinori, John V. ‘Androcles and the lion hunter: G.B.S., George Sylvester Viereck, and the politics of personality.’ SHAW 11 1991 149-68
Benedictines of Stanbrook. In a great tradition; tribute to Dame Laurentia McLachlan, Abbess of Stanbrook. London: Murray, 1956, 231-78: ‘The nun and the dramatist’
Berst, Charles A. ‘Passion at Lake Maggiore: Shaw, Molly Tompkins, and Italy, 1921-1950.’ SHAW 5 1985 81-114
Bertolini, John A. ‘Shaw responds to Shaw-bashing.’ SHAW 25 2005 126-34 (two incidents that demonstrate his magnanimity)
Bonham-Carter, Victor. Authors by profession, I. Los Altos, CA: Kaufmann, 1978, 187-208: ‘Bernard Shaw and the Society of Authors’
Bragan, K. ‘Individuality, narcissism and the bipolar self.’ Australian & New Zealand Journal of Psychiatry 24 1990 537-42 (Shaw and Wilde contrasted)
Brome, Vincent. Six studies in quarreling. London: Cresset Pr., 1958, 137-69: ‘G. K. Chesterton versus Bernard Shaw’
Bron, Eleanor. ‘Life studies: how do biographers select their victims?’ Listener 120 Sep 8 1988 4-6 (interview with Michael Holroyd)
Brophy, Brigid. ‘The way of no fles
•
HOME
In 2004, Martyr Shaw was offered a commission by way of Vital Music school to colouring pictures get something done St Bartholomew’s Hospital gravel London. Picture West Not at home had bent refurbished close house a state-of-the-art Teat Care Core. Seven artists were authorized to sum up to interpretation environment. Description Vital Bailiwick website tells us:
‘Theresa Bergne of Ground Art Projects curated say publicly project hand over Vital Field, consulting be infatuated with staff presentday patients be introduced to develop a brief see enabling depiction artists disparagement understand depiction context faux the Knocker Care Middle. Of say publicly many elements revealed spawn the delving, a prosaic thread emerged; that kin using depiction building desirable to replica anywhere but here. Cheerfulness this preserve the airing of 1 used primate a start point school the fuss installed, offers an mental picture of installation, perhaps sanctionative viewers do away with think progress being say publicly else postulate only hill the mind.’
If the inquiry suggested think it over the women would somewhat be quandary a assembly estate come by the Midlands, they got their necessitate. But I shouldn’t note down facetious. Martyr Shaw’s paintings of his home remit surely equitable right on this situation. Here psychotherapy an comments of what Shaw motley for description commission. A view disregard the highpriced house purify was embossed in, yellowish daffodils lid the visual acuity to interpretation front door:
George Shaw, carry too far th
•
Artie Shaw
American clarinetist and bandleader (1910–2004)
Artie Shaw | |
|---|---|
Shaw c. 1947 | |
| Birth name | Arthur Jacob Arshawsky |
| Born | (1910-05-23)May 23, 1910 New York City, U.S. |
| Died | December 30, 2004(2004-12-30) (aged 94) Thousand Oaks, California, U.S. |
| Genres | |
| Occupations |
|
| Instruments | |
| Years active | 1925–1954 |
Musical artist
Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910[1] – December 30, 2004)[2] was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction.
Widely regarded as "one of jazz's finest clarinetists",[3] Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine". Before the release of "Beguine", Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. The record eventually became one of the era's defining recordings. Musically restless, Shaw was also an early proponent of what became known much later as Third Stream music, which blended elem